Ashley wrote:Perhaps therein lies its true beauty, SleepJ. It's "easy", I guess, to write a blatant allegory, harder to write a good one, and hardest of all to write a Christian fiction story that never outright says it.
I think Lewis did a marvelous job with this book - he certainly did not "rush" through it like he did with his other fiction and seemed to have taken his time with this book. It has been discussed on a Lewis forum I frequent (although not relating to TWHF) that Lewis in certain respects a sloppy writer when it came to his fiction. It was very seldom that he actually went through a second draft or third draft with his writing. The closest he'd come to a 2nd draft would be the proofs send to him by the publishers. I sensed this when I read these stories for the first time (I read them as an adult, not when I was younger - I did little or no reading as a child) and was not too surprised. Off course Lewis was a very, very busy man and did not always have time to do this. The Narnian Chronicles are powerful despite this but for me they never really fitted all that well together. I bought a single volume and read them all in about two weeks time and although I loved them they did feel sort of disjointed as a whole.
Till We have Faces however feels much better constructed and developed and written - the first time I read it I found it disturbing actually with its pictures of cruel gods (like Ungit) and did not finish it for some time. (I could never really think of anything as "just a fantasy"). However when I did I'm glad I kept with it.
Ashley wrote:To me that is the ultimate mark of artistic quality--to say in a far more powerful way than using words.
I have to agree with you on that. Stories where everything the author is thinking are slowly spoonfed to the reader through narration, exposition and such are sometimes terrible or not very effective. I believe the reader should discover these things through themselves. Also a good book (or movie) should be slightly like an impressionistic painting where the reader projects some of their own views on the story, or parts of it to involve them. Some parts should be obscured on purpose to achieve this.
Also effective is Lewis' use for the first part of an "unreliable narrator" who tells it through her eyes without thinking she might be wrong with her assumptions. [spoiler]Orual thinks a lot of things when she's writing the first part of the story - her anger, bitterness and ignorence is getting in the way. She said she'd suffer when actually in a certain sense she has achieved much despite her corrupted love (but that view is rather materialistic, though). Only when the gods began really pushing down on her harshly through her sickness and through the visions did she realise how wrong what she had thought the truth had been was (I'm thinking particularly of Tarin the eunich who reveals to her the truth about her "jealous" sister). When Orual realised the truth she sees everything as it was and as Psyche sees it. The harsh actions of the gods on Orual reminds me something that Lewis said towards the end of his "spiritual biography
Surprised by Joy in regards to got imposing Himself on a young atheist.[/spoiler] "
The hardness of God is kinder than the softness of men, and His compulsion is our liberation." (liberation from sin and / or ourselves, that is)