Atria35 (post: 1463684) wrote:Thanks, Sting! For yours, for the prologue, I really liked the opening lines, and the commentary throughout. It was a nice contrast. But it went from past tense with the woman's actions/death to present tense after a few lines. You do need to change either one or the other.
The first chapter, first part- you might need to put either Pheonix's lines or the dialogue in italics to distinguish one speaker from another.
Third part- "Dude, you called me at like 10:30 P.M. Don't complain because I don't stay at my office 24/7." Sentences like this seem out-of-place with Pheonix's usual dialogue. He sounds like a young teenager. You might need to consider rewording.
There are also few paragraphs to be seen. Is this a stylistic choice? I'm not used to it, so I might need some time to get used to it. It's very bare-bones, with no description of emotions or setting or actions as they say things. Cell doors don't clang shut in the distance, nor is there an occasional shout from a guard as they speak to Chance in the jail.
But overall, I really did like the prologue- it drew me in! And the first chapter gave me a decent introduction into Pheonix's character (I'm guessing he's a slightly snarky, stressed lawyer? Not a white knight, for sure). I'd love to see the side characters fleshed out more later on.
OfficerSting (post: 1463680) wrote:Excellent. Atria35, that was a very strong opening. I honestly wanted to know more.
http://www.fanfiction.net/s/6793564/1/Nothing_But_Death
OfficerSting (post: 1463718) wrote:Thank you Atria! I fixed the errors you pointed out. As for the style, I was going for a minimalistic approach, but now I realize that it bordered on beige prose. I've updated a new (short) chapter, trying to up the description. Thanks!
LadyRushia (post: 1463744) wrote:Atria,
The opening paragraphs you've provided are successful in getting the reader interested in what's happening. You make good use of the technique of starting your character off in a place where he isn't supposed to be/could turn into a bad situation for him. I also like how certain sentences such as "Under normal circumstances, it wouldn’t be an issue. Under these circumstances, Kirn could feel the executioner’s blade upon his neck" that provide a tension between good and bad, normal and abnormal. It's very easy to feel that a lot is at risk for Kirn even though we don't know much about what's going on at this point.
Esoteric (post: 1463773) wrote:Rushia, I just breezed through the Fancy Dresses story. I loved the absurdness and nonsensical style of the story, and particularly the snark in the narrative.
One thing that might have helped me to like it more is Molly having a reason to pick Amber. Even though this story is intended to have a crazy-random nature, I still had a little trouble with Molly never qualifying her choice, even by some absurd standard such as deciding Amber would look fashionably perfect sporting a parasol. It might have even been funnier (although perhaps a trope) if Molly had been looking for someone else but conscripted Amber because she was running out of time (or just bored with searching.)
But I enjoy this sort of writing and you've got a pretty good feel for it. Nice work.
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