I liked the way you drew the tree in pages 22 and following. The branches in the background on page 24, with the hearts and skull hanging from them, were beautiful, even though I wasn’t sure why they were there.
I particularly liked page 23 for its beautiful, well thought-out composition (especially the top half of the page). The complexity and overlapping elements were used very well on this page, although some of your simpler pages have also been well-composed (page 19, for example).
As a general note, the pencil shading (if that’s what it is) in the characters’ faces looks nice; I like it better than the old flat gray you were using for Auster’s face. However, in page 27 his skin seems nearly as dark as Auster’s in the bottom panel. In the rest of the comic, my impression was that Auster’s skin was significantly darker and that Paris was fairly pale, so this was a bit confusing.
Syreth wrote:I like the depth of the statements in the last page (the story and the art have a lot of depth as well).
Yes; I also thought that page 25 was very nice. As always, I look forward to reading more.