I have invented the genres "Cyberpunk" and "Dystopia" to try to describe the dramatically different ways film soundtrack writers and other artists express the Cyberpunk or Dystopian literary themes through music.Omega Amen wrote:I added your station to my playlists (I am currently playing around with iTunes for the first time). I barely know anything about Gothic, Industrial, Cyberpunk, Dystopian music. So if you do not mind, I will occasionally listen to your station to understand and appreciate this genre.
Also, just to let you know, it has been streaming well with good quality on my end.
I'd be interested in knowing what bands and music styles in particular you have in mind. I tend to be a total junky for any music using a synthesizer myself.MorwenLaicoriel wrote:I don't know much about these genres, but I'm listening to the station now and i like it. ^^ I think some of the bands and genres I like to listen to are influenced some by this sort of music....
Hehehe, yes, Thoushaltnot royally kicks - in fact, I've gotten all of my good friends addicted. Yep, Front Line Assembly and all of Bill Leeb's of FLA's side projects like Delerium (for they are legion) are extremely well put together for their respective genres. If you ever pick up Front Line Assembly's Epitaph though, its a legal requirement that you also pick up The Future Sound of London's Dead Cities and My Kingdom [EP] and listen to them in close proximity.PigtailsJazz wrote:I love the station...I actually bought the ThouShaltNot CD on Amazon thanks to your great suggestions ^_^ (The White Beyond one) I'm really starting to like Front Line Assembly a lot, too.
Sorry to not have commented earlier....I have been so busy that I haven't really been on CAA much at all
Yes, I've heard Skillet a fair bit, Christianindustrial.net hosts a fair bit of songs in fact. I always tend to think of Skillet under the heading of heavy metal, although its quite obvious he's heard a fair bit of gothic and industrial music from which he adds little accents to his own music. You see, back in the 90's there was this phenomenon that bands like Marilyn Manson, Nine Inch Nails, Rammstein, etc., were taking elements from Industrial music like the beats, yet often dropped entirely the presence of synthesizers while playing guitar riffs in a heavy metal style that didn't even emulate machinery to give them mainstream sales. Obviously, the underground machine-aesthetic minded rivet-heads were none too happy about this, made worse by the going turncoat of Industrial music pioneers (even back in the days of beating on household appliances) KMFDM to the mainstream didn't make it any better. In Skillet's case however, he sticks close enough to his own genre enough to be comfortable to listen to, rather than "Arggh, my music has been robbed and molested."MorwenLaicoriel wrote:Well, I'm a huge fan of Skillet, and some of their earlier albums (to be exact, Hey, You, I Love Your Soul, Invincible and Alien Youth) have been discribed as being 'Industral influenced" before...although to be honest, I'm not sure how close they actually are to the genre. XD Their newer albums are more on the grunge-rock side.
And one of the songs reminded me of another song, The Prodigy's Breathe With Me.
GhostontheNet wrote:Yes, I've heard Skillet a fair bit, Christianindustrial.net hosts a fair bit of songs in fact. I always tend to think of Skillet under the heading of heavy metal, although its quite obvious he's heard a fair bit of gothic and industrial music from which he adds little accents to his own music. You see, back in the 90's there was this phenomenon that bands like Marilyn Manson, Nine Inch Nails, Rammstein, etc., were taking elements from Industrial music like the beats, yet often dropped entirely the presence of synthesizers while playing guitar riffs in a heavy metal style that didn't even emulate machinery to give them mainstream sales. Obviously, the underground machine-aesthetic minded rivet-heads were none too happy about this, made worse by the going turncoat of Industrial music pioneers (even back in the days of beating on household appliances) KMFDM to the mainstream didn't make it any better. In Skillet's case however, he sticks close enough to his own genre enough to be comfortable to listen to, rather than "Arggh, my music has been robbed and molested."
Yep, I have to admit I liked Skillet's stuff, particularly the song Ripping Me Off which totally reversed the cliche anti-Christian metal songs.MorwenLaicoriel wrote:Yeah, they're definately their own sort of genre...they have a tendancy to tweak each record's genre slightly. To the point that their newer stuff sounds radically different from their older stuff when you first hear it. xD
Although in certain respects its good that Industrial music stays in the underground, its kind of pity that so many of the excellent performers just aren't well known. Whatever the rivalries between the ravers and the goths + rivetheads (cyperpunk vs. cyberprep cultures), I have yet to find any fans of techno that haven't liked Industrial and EBM (Electro-Body music) music when they hear it. The mere success of artists who took major elements from it also leads me to suspect that many metalheads would also like it if they had more access to it. Just you wait until I've got my hands on Stromkern ( http://www.myspace.com/stromkern ), Aslan Faction ( http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=79276293 ), Tactical Sekt ( http://www.myspace.com/uktacticalsekt ), Grendel ( http://www.myspace.com/grendel ), Skinny Puppy ( http://www.myspace.com/skinnypuppy , just ignore the posters), and the other stuff on my wish list - then things will really be awesome. For what its worth, if you don't mind things being harsh and abrasive (as most Metal fans I know of don't) and are looking for some Industrial music, I would pick up these three:I do like getting to hear these more 'pure' examples, though. ^^
And well you should, my fellow Industrial music fan, especially if your computer situation is roughly akin to my house where every new addition to the computer situations happens in about 3-6 months from the time of the original plan. I guess at my current rate that would mean I'd be playing somewhere between 52 and 64 CDs, assuming I don't impulsively splurge, and on the likely assumption that no benefactors contribute any.That Dude wrote:I'm looking forward to listening to this when I can get on a computer that has sound.
So how was it?Mr. Smartpants wrote:I never listened to gothic or anything. So I'm willing to give it a try right now.
Fair enough.Mr. SmartyPants wrote:I'll be honest. It's not my type of music. I didn't really enjoy it. The one song I was listening too "Collision" had a nice intro, but the rest I didn't like.
Yes, Saviour Machine makes me cry sometimes. For all the controversy Eric Clayton of Saviour Machine gathers to the point of basically being forsaken here in the 'States, there are many aspects of his music I wish we saw a lot more of in Christian music. Maybe if I get good with a synthesizer and singing (and many many other things), I'll do for darkwave/electro-goth what Chayton has done to gothic rock/progressive metal.martinloyola wrote:listening to Savior Machine makes me happy, I have their "Live in Deutschland" cd
Marine, eh? I have a suspicion Grendel's Soilbleed isn't in his top twenty favorites (although with those who are in or were in armed service you never know what they really believe). If he believes in just war theory and that we should apply the same principles our country was founded on and has written in the constitution in dealing with the Iraqis, I'm cool with him though.I've always been impressed with goth and industrial, in fact my friend who is a marine (artillery-he aims a big cannon SCARY!! ive seen a video of him blowing up a rusted truck up on a test range) and is in Iraq,
Were they cool? What did they sound like?there was this goth band, which he played for me when he was back in the states (though curse me for a fool I can't remember what their name was)
Those are the definite advantages of both genres being derived from punk (which so emphasized audience involvement that the audience could jump on the stage too) and being underground genres. I guess with those "superstars" though is that they can't afford to get too close to their audiences, for their own sake, sadly. That's a definite upside of underground music, although the downside of course is that mainstream stations treat your music as a form of leprosy and will not touch it with a ten yard stick, no matter how low the quality of what they are playing. If you're a fan, you should also give Tormented Radio ( http://www.tormentedradio.com ) and Digital Gunfire ( http://www.digitalgunfire.com ) a listen.he said they came and did a live concert for the troops while he was stationed there, he had nothing but good things to say about how supportive they were, how friendly and how willing they were to actually spend time with everyone one on one, unlike some "superstars" who show up and do a show and leave, anyways he has been hooked since and I really enjoy getting a wide view of different bands, its just not something I can dial my car radio to ya know?
Oh, I had heard of them long ago, but not actually heard them. That music ( http://www.myspace.com/thebirthdaymassacre ) is a lot like poisoned candy apples held in the hands of Bulleta/Baby Bonnie Hood from Darkstalkers - it is a lethally deceptively cute approach to a gothic/industrial/synthpop (all at the same time?) music. I think I like it, but I'm not entirely sure I really should, and not entirely sure its what I want to play, but I'll give it thought.Scarecrow wrote:I know it was just a suggestion They are relatively unknown so I just like to throw them out whenever I meet someone who may like them
Were they cool? What did they sound like?
Sounds wonderful, maybe you can contact your friend sometime and ask him who they were, and I can check it out. If I had to guess, the only groups that that sort of thing rings a bell for are Do You Believe in Angels? by The Last Dance or Winter Born or some other song by the Cruxshadows. Yeah, Digital Gunfire and Tormented Radio still kick my station's butt, the only things I have that they don't is a more diverse mix and Christian artists. Evidently at least 30 gigabytes of people like what I play though.martinloyola wrote:I believe the main track I heard the lead vocal was singing about an angel or something like that, he a had beautiful voice and their was some female accomp vocals I think, there was synth and guitars with some awesome prog riffs, it was written so well though that it didn't jar your ears ever and had me singing the tune to myself the rest of the day....yeah I know that's not a lot of help but they were pretty good , at least in my estimation
thanks for the links I'll check it out
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