Radical Dreamer (post: 1479598) wrote:Previously, I'd only heard of Tintin in bits and pieces, partially from people who are familiar with it on CAA, and partially from being an illustrator and hearing friends and teachers refer to it on occasion. I found the newly released movie posters yesterday, though, and as soon as I found out that Steven Moffat and Edgar Wright worked on the screenplay, and Jackson and Spielberg were at the helm, well...I'm officially interested. XD
Spielberg had the film rights for over 30 years and have commissioned several screenplays, but the current one was written by British writers because he believes that, because they grew up with the books, they will bring more to the story.
Although Tintin stories have been serialized in the 50s and 60s Spielberg only heard of it the first time during the French premiere of
Raiders of the Lost Ark. Many French critics noted the similarity between the characters and Spielberg, mystified, picked up a French language version and read it with the help of a French-English dictionary. Peter Jackson, however, grew up with the books, like just about everyone else outside of North America.
One the one hand Tintin graphic novels tend to be products of their time, but have aged very well. During the 40s and 50s, when American comic books reached a low-point thanks to self-censorship and
just plain stupidity Tintin became popular in Europe because of its more intricate plots, ranging from supernatural stories (Seven Crystal Balls / Prisoners of the Sun) Hard Science Fiction (Destination Moon / Explorers on the Moon) to spy (The Calculus Affair) and just plain old adventure (everything else). I wrote a review of an early Tintin book recently on my
blog.