Postby TheSubtleDoctor » Tue May 17, 2011 7:47 am
WALL O' TEXT!
Legend of the Galactic Heroes
Well, it's pretty hard to talk about this show without (a) sounding hyperbolic or (b) saying something that has already been said. So, people that have already seen the show will likely ignore this and be unimpressed, and people who haven't seen it (poor, poor people) will tune me out and assume I'm a spazzing fanboy. Since there aren't existing human beings outside of the seen it/hasn't seen it dichotomy, I will proceed to write to nobody =).
No one will ever create another show like LoGH. Think about it: 110 episode OVA, dialogue-heavy space opera, basically bereft of fanservice or wacky hijinks, overflowing with political philosophy and military tactics talk. I know, right? Those crazy 80s.
LoGH feels like a series of novels. Its source material is, in fact, a series of fourteen novels, but, unlike other anime adaptations of books, this show feels like you're reading books. What I mean by that is that the characters, the world and the ideas of the series are so fleshed out, three dimensional and well-developed. The kind of detail, history and depth provided by the series for all of the above are usually the kind I find in good novels. Therefore, the kind of emotional investment I (involuntarily) had in these people, this universe, was like that of my favorite literature, which is typically a greater kind of investment than I have for visual media.
This show is the most well-written thing I've seen on a screen, animated or live action. By that I don't mean it's "smart" (like The Office smart) or snappy; rather, it is very intelligently written by erudite and astute people. The characters are wonderful and, over this long series, have a chance to unfold and grow in an organic way. For some characters this development is out there for all to see, and for some it is subtle but never esoteric. Characters are unpredictable in a way that rings true without ever being inconsistent to their "character."
LoGH is a show about admirals and emperors, so politics and military tactics play a feature role. Again, the show sets the high water mark for something, namely political depth. Nearly every decision has ramification with the people, or the cabinet, or the court, with friends or enemies or both. The viewer is privy to a fair bit of forethought that goes in to military and political decision-making, and it is portrayed in a fascinating manner. Along the way, the show does a delightful (to me) job of expressing various political philosophies, not in a prescriptive manner at all either. One of the many big ideas at the heart of this series is autocracy vs democracy: is it better (in various senses of the word) to be ruled or to participate in self-governance? Well, the series doesn't really come out and answer the question; rather, it presents the strengths and weaknesses of both systems and the ideals that buttress them. For any history buffs, philosophers or political theorists out there, this show is flippin' candy. A similar level of depth is given to military strategy and tactical maneuvering as well.
I cried at the end of this show. So, you know, it's not all cerebral heady stuffs. Space opera in the truest sense. Glorious achievement by the creators. If anyone likes good things and isn't intimidated by the episode count and show description, then please do yourself the favor of watching this show. Anyone who believes that anime can't match the degree of intelligence, sophistication, depth or emotional intensity of either live-action movies/TV or even literature...this show is the acid test.
Space Runaway Ideon & The Ideon: Be Invoked
So, this is also a pretty niche title: 80s Tomino, non-Gundam, robot show. Since the above is so long, I'll try to be brief. Tomino wanted to be a super robot show that broke with some of the established conventions of the genre. He was successful to a degree, but a lot of what annoys people is still present: monster of the week, stock footage, little character development, etc. What he did do was change the kind of thing the super robot is and its purpose relative to humanity.
Tomino was pretty depressed at this point in his life, so the series can be bleak. It is certainly darker than Zeta Gundam, for instance. At the beginning, the cast is entirely unlikeable, but by the final third of the series I started to warm up to a couple of them. It's obvious that SRI had a pretty big influence on Eva, especially the ending movie Be Invoked (it's obvious from the plot and imagery, and Anno and friends said as much). The structure of the episodes is quite similar to Mobile Suit Gundam TV: group of too-young-to-be-waging-war folks stays on the run from nigh-all-powerful militant group. In Gundam, I wasn't sure who the good guys were; in SRI, I'm not sure who the bad guys are due to the aforementioned jerkiness of the cast.
I enjoyed the combat in the show as well as some of the successful "convention flipping." Tomino's idea of what the Ideon fundamentally is was quite brilliant and groundbreaking. However, the series probably isn't the sort of thing that would be kind to newer/younger anime fans. In addition to the genre tropes mentioned above and its generally depressing tone, SRI is repetitive in the middle and has oodles of pacing problems. It's not a series I'd recommend to anyone other than mecha fans, or those supremely interested in how it affected Eva