blkmage (post: 1378730) wrote:I rewatched Summer Wars and am still incredibly impressed and blown away by how awesome it is. Holy crap, do I love that movie.
That Dude (post: 1378742) wrote:What's it about? Could you give more info?
I just watched "The Place Promised In Our Early Days."
That is seriously one of my all time favorite movies.
What did you think of the show? I'm trying to decide if I should bump it up to next in line on my queue.Nadia (post: 1378899) wrote:Just finished watching episodes 23-25 of Darker than BLACK, and will watch "episode 26," season two, and the other related series at another time.
Seeing Light's plans come together always brought me much joy.Wolf-man (post: 1379027) wrote:Light is a freaking genius! He is now one my favorite anime villains.
Wolf-man (post: 1379027) wrote:I reached episode 24 in Death Note. Light is a freaking genius! He is now one my favorite anime villains.
Sheol777 (post: 1379173) wrote:...wait, Light was a villain?
Nadia (post: 1379282) wrote:Well, I went into DtB knowing it had been praised many times over for its story and characters. The people who said such things were right]was[/i] good, but a couple of two-episode arcs left me wondering what it contributed to the story as a whole because it sure didn't feel like much. Some arcs I found to be quite sad (it's a pretty grim show), others pretty cool in terms of action and plot twists. I love the main characters Hei, Huang, and Mao (Yin I like on and off), as well as Misaki, November 11, Havoc, Bertha, and Yzak.
The ending was okay, but abrupt. I'm still left with a lot of questions and confusion, and I'm told that season two doesn't do a good job of providing answers and closure.
Still I did enjoy watching DtB, and found it worthwhile, even if it had a slow beginning - later episodes are well worth watching. ^_^
No, not really, but that's not what I was batting at. It seems out of place, yes, but what the middle episode brings to the package I think would be more jarring by its absence. 5 Centimeters is the story of two people in love, separate, but still very much in their own world. Now, we have an outsider, someone trying to intersect into that world with their own, only to realize they can't. Even though it's about the outsider, it's really still about original two characters, just through a foreign lens that tells us so much about them.ich1990 (post: 1378012) wrote:I am definitely not implying that the second section is pointless. In fact, I thought it was used quite well. I am just saying that it seemed a little out of place and was not as engrossing as the first and last. Considering we are wrapped up in these two people's lives completely in the first and the last episodes, the major change of focus and emphasis in the middle is a little jarring. Can you say that you liked the second part as much as the other two?
Fish and Chips (post: 1379417) wrote: 5 Centimeters is the story of two people in love, separate, but still very much in their own world. Now, we have an outsider, someone trying to intersect into that world with their own, only to realize they can't. Even though it's about the outsider, it's really still about original two characters, just through a foreign lens that tells us so much about them.
This also makes the last section more prominent. We've already seen how the outsider copes, but what about the other two? It's an important contrast, in my opinion.
I suppose a lot of it depends on how you interpret the train crossing. I saw it as Takaki finally letting go. The story is about distance, and always the physical sort. Takaki loves Akari, but she's separated by so much. Kanea similarly loves Takaki, who's right there, but they're kept apart by the space in his mind. Which brings us back to the train crossing, where (to me) Takaki makes peace with the fact that Akari got away from him and moves on.Maokun (post: 1379542) wrote:I beg to differ a bit here. 5cms/s is not about two people in love. It's about Takaki. Akari is just there as an object of love, not as a subject. Believing the story is about the romance between two people is what makes most people dissatisfied with the second chapter, i.e. Akari is not in it but some girl we don't care about. The truth is that Akari is not much there in the third act either, NOR in the first one, when you come to think about it. The first act is all about Takaki's long and eventful train trip to meet her.
5 Centimeters per second is the beautiful, but sad story of a man who loved as one can only love for first time but was unable to let go, even after the circumstances made impossible for that love to flourish. More than a love story, it's a cautionary tale.
MightiMidget (post: 1379343) wrote:*thinks Doc should bump it up on queue* *whistle* But hey, that's just me, ya know....
Watched Romeo x Juliet 16-18. The plot thickens! Ee...
"Yield, obstinate soil!" *laughs* much love here for this series. much love indeed. Not to mention an incredible amount of fuzzies and grinning so wide I'm glad it's 2am and no one can walk in and see me. heehee.
Ah, I think I see where you are coming from. I wasn't looking at 5CPS as a love story so much as a case study in the death of human relationships. Almost everybody, I think, has had a childhood friend whom they swore they would never be separated from. Eventually, however, time sweeps you apart. Symbolically, this is represented by the sakura petals starting out on the same tree, then getting carried off to completely different locations by the winds of time.Fish and Chips (post: 1379417) wrote:No, not really, but that's not what I was batting at. It seems out of place, yes, but what the middle episode brings to the package I think would be more jarring by its absence. 5 Centimeters is the story of two people in love, separate, but still very much in their own world. Now, we have an outsider, someone trying to intersect into that world with their own, only to realize they can't. Even though it's about the outsider, it's really still about original two characters, just through a foreign lens that tells us so much about them.
This also makes the last section more prominent. We've already seen how the outsider copes, but what about the other two? It's an important contrast, in my opinion.
TheSubtleDoctor (post: 1379574) wrote:Is the non-explanation (A) there are many ways this story can be interpreted, so we leave it up to you, the viewer or (B) ah...come on guys let's just end the darn thing? If (A), then I am more willing to give it a shot. If (B), then perhaps it's a bit of a tease.
Remind me of what's going on. Tybalt...just...Tybalt.
Does the second season explain anything about why the world mechanics are the way they are? Does it explain Hell's gate or the origination of the contracts?
blkmage (post: 1379575) wrote:It might seem trite for me to say this, but 5cm/s is about distance. Yeah, hurr durr, all of Makoto Shinkai's movies are about that. What I mean by that is that it's not about Takaki and not quite about letting go.
Every relationship we examine isn't the fault of Takaki's not letting go, but is the because of the distance between the two people and the neglect in those relationships that the distance induces. Takaki isn't the only one at fault for letting his relationships be erased slowly by distance and the march of time. And neither is Akari, or Kanae, or his girlfriend in the third segment. Each of the relationships become a pile of missed opportunities and regrets.
That's not to say that overcoming the distance would have been easy. In Voices or The Place Promised, the distance is created by something far more grand than in 5cm/s: we've got space or alternate dimensions or the military. In 5cm/s, it's that kids' parents are moving away. But that's the thing]
True. Then again, my point is also valid in this light: If you are not going to (or you simply cannot) fight for your love, you might as well let go. We never see Akari hurting after act 1. In act 3 she seems quite happy about her upcoming wedding, and the memories of Takaki are not bittersweet, just happily nostalgic. Kanae hurts during most of the second act, but by the end (when the distance between her and Takaki becomes physical as well) she's already getting over it.
However Takaki won't let go. After 10 years he's still longing and regretting, but he never moved either forward or backwards. Moving forward wouldn't have been too hard either: He only had to send his long text messages to Akari instead sending them back to himself. Even if keeping in touch in such manner probably wouldn't have been enough to support a relationship, getting to know that Akari was moving on without himself would have helped him to also move on. But perhaps that's what he was afraid of: Confronting his own feelings and illusions against reality and be forced to let them go. He just carried on with his life, unable to experience happiness or make happy another person, because his feelings were tied to a lonely night several years ago. Perhaps he managed to get over it in that train crossing, though judging by his state of mind just before it, I'm inclined to doubt it. We only have his somber smile as he walks off as a hint of acknowledgment.MightiMidget (post: 1379756) wrote:No. Hell's Gate isn't mentioned very much in the second season actually...but I don't think any mechanics were explained.
ST. Attidude (post: 1380211) wrote:I might start the 1st special edition volume of Yu Yu Hakusho, which I found for about $3.33 (3 for $10 sale)
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