GeneD wrote:I'm sorry but I like evil Aizen. I don't want him to turn out good.
His large panel this chapter? Yes, that was excellent. I personally am a big fan of evil!good characters, so this would be fine with me.
GeneD wrote:I'm curious as to why you think that. Of course killing the King doesn't sound particularly ominous to me, but I'm not the super villain here.
I don't really think it, I just wish it was true. As I already somewhat said, SS jumps to the conclusion that this is Aizen's goal with very limited proof: a few missing books. If Aizen was willing to fake his own death to mislead people about his goals, what makes them think he wouldn't check out some books as a red herring? I'd do it.
Also, carefully read the scene where Hinamori collapses right around this time... I think Yamamoto seems suspicious here. This might just be ambiguous art, but I'd prefer to believe it is planned. But that might be misplaced confidence, based on the following...
Did anyone else see the interview conducted by American Shonen Jump? It has some interest for us here, naturally, but one question in particular bothered me:
SJ:Do you have an ending in mind for Bleach? How much of the story is written in advance? And do you ever change your mind about what will happen?
KT: I still haven't decided how the series will end. As for how far ahead I write, that all depends. Occasionally, when I get ideas for scenes, I try to link them by imagining the most interesting route. I don't know where the scenes will go, because the ideas don't arrive in order. Things tend to be all over the place. I might think of a scene that belongs much, much later in the story, and to get there I might have to draw a lot of other things first. If there's a scene I definitely want to draw, it doesn't change, but how I get there might.
I'm disappointed. While I think he's had quite a few important scenes in mind from the beginning, this explains why certain parts of the plot are so clunky and why there are so many characters who are barely utilized.