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Sakaki Onsei wrote:and hopefully he will be able to give the legal
opinions...
OK - LEGAL DISCLAIMER - I am not a Lawyer... so this is just OPINION.
Sakaki Onsei wrote:as he is much older
Oh, thanks, I needed
that. And my doc told me my blood sugar and triglycerides are high too.
Thanks....
We're in a grey area here. It's infringement, but what individuals get
hauled into court to 'splain themselves is: "is it indeed ILLEGAL
infringement, or is it a fair-use exception to infringement?
Much of this is a battle of words and culture. RIAAs tactic is to use
the scary-sounding word 'unauthorized' and from there they try to bully
you into believing that 'unauthorized' = 'illegal,' but that's NOT TRUE
- in our current legal climate, whether infringement is illegal or
exempted can ONLY be determined in COURT, each and every time. Obviously
this can get expensive, and very few individuals can afford to take
these guys to the mat. Some have and they have even won judgements
against RIAA - (which RIAA seems to be appealing or trying to walk away
from in some instances.)
Some countermeasures available to us are also cultural in nature]de
facto[/I] in the wrong unless they grant you permission. My term
connotes that
you're free or at least you haven't been forced to
stop - yet, or at least not here, not now. Ask a German what 'Alles
Verboten' society meant. It means that if I invent a new toy and played
with it in a park, some goon in a uniform would come over say 'Do you
have a
permit for that?'
'Unauthorized' is another scary-sounding, you're-already-in-BIG-trouble
kind of word. The countermeasure here is "Ever heard of an Unauthorized
Biography of a celebrity?' Why yes. Because the writer
doesn't need
the celebrities permission to publish his own opinions (libel and
slander not-withstanding.)
We don't NEED your authorization...to express ourselves, or to make
our comments about YOU. Remember that. (Hey, anyone know where I go
to get a money-changer table-flipping permit?)
'Unauthorized Duplication.' For this one, tell all your friends about
people who reload ammunition for hobby and sport shooting. Why you can
take a Winchester brass cartridge, some Dupont-Remington nitrocellulose
powder, and a Speer or Nosler bullet, and make an (unauthorized)
'remix.' You can even cast your own lead, and if you're really
enthusiastic you can swage your own custom, copper jackets into bullet
shapes of your own design. If you're over 21 you simply do
NOT need anyone's permission to do this,
even if you
are making exact duplicates of some manufacturer's commercial product,
for your own personal use. Now ask these reloader enthusiasts what
they'd tell a company that told them they'd have to 'register' their
presses & reloading dies, log their production and allow the company (or
government) to review these logs, create only
factory-approvedvariants, or seek prior permission from the manufacturers and patent
holders of all those pullet and casing designs and dimensions...
(Ummmm, "NOT!")
The deal with duplication came to a head days of the
phonograph-music-to-cassette, then make 5 cassettes for my friends days.
Wasn't the first time: Music artists of 100 years ago tried to get Mr.
Edison to design some sort of pay-per-play system into his music
cylinder machines. "It's not fair that I sang once, but the end consumer
can play this cylender any number of times over, but I don't get paid
even though he derives enjoyment from EACH play of MY SONG, waaa, waaa,
waaa." The legal term that came out was (get this)
distribution in
non-commercial quantities. What took Napster down was that it was
hard to argue that 1,000,000 downloads was a 'non-commercial quantity.'
Evidently, the judge didn't think so...
All in all I'd wager that AMVs are (a) infringing, but (b) not
criminally so, and (c) many might be affirmatively defended as
(protected) PARODIES of the original works. To get away with parody, you
have to make some easily discernible changes to the original art, so
that the viewer or listener can tell that a lampooning, or derivative
commentary is taking place. Parody is formidably protected speech an is
also included in the Fair Use doctrine. And (d) your personal volume of
distribution is non-commercial in scope and nature.
Legally bomb-proof? Of course not, (heck, after the Supremes handed down
'Kelo,' what
is...) but it's a matter of
changing the way
people you interact with THINK about these issues.
Lastly - this infringement enforcement silliness has spread to CLOTHING
EMBROIDERY hobbyists - taking bmp images of trademarks, licensed sports
team logos, etc and applying them to their own shirts and other fabric
creations. In some cases copyright holders gain some traction, but as it
turns out they are mostly suing a bunch of peoples gramdmas, whenever
one of those companies sends out a C & D, well, Mr. Company, you've just
shot yourself in the foot because her ENTIRE FAMILY will now QUIT using
your product and also BAD-MOUTH you to your family and friends... (Oops,
what happened to market share...)
In some cases the copyright holders have succeeded in extorted monies
out of Grandma, but again, in other cases they have been told to go
pound sand - especially in the case of parody works or derivatives
inspired but sufficiently altered from the protected work.
With cheap-to-free tools like WMM to Premiere to AfterEffects to Final
Cut, we are *all* movie directors now. The big-pro industries just
haven't figured out the end implications of powerful tools dispersing
into the masses.. The next step to the last frontier will be when
animation software becomes cheap and easy enough to use that a
grade-school kid cam create his own 'Toy Story' variant - modeling
characters and backgrounds from scratch yet with ease, which used to
take teams of animators months, back in the dark old animation days of
LOTR CGI... Imagine how a renaissence-era oil painter would marvel at
anyone today driving Photoshop...
We are already a 'remix' (acquire, alter, and redistribute as current
commentary) culture, no longer a 'record' (immutable-content media) culture.