Postby Neane » Sun Jan 27, 2013 1:50 pm
I'm currently watching Anne of Green Gables and I accept Isao Takahata as my personal Lord and Savior
Anne is always depicted as a healthy and cute girl in the animated American version of Anne of Green Gables, but in Takahata's and Kondo's she is designed in a much more crude, realistic way, exactly as the book originally described the 11-year-old Anne. A faithful, fantastic representation of Anne, a result of the combination of Takahata's and Kondo's sense of realism and skills. I also find it admirable how they personally traveled to PEI in order to familiarize themselves with the place the story takes in. the art is pretty good. It has a real nice classic shoujo look to it. But with that shoujo look comes a new set of problems: everyone is too pretty, especially Anne. It makes Mrs. Lynde’s whole, “They sure didn’t pick her for her looks!” speech seem absurd. Matthew looks like a distinguished gentleman in search of his monocle rather than the old farmer in his 60’s that he’s supposed to look like. The most bizarre thing is how they draw Diana’s eyes sometimes. They are typical shoujo eyes most of the times, but there’s a few random scenes where they are just black holes of scribbles. It makes her look evil and scary. Diana is a wicked scary badass hell spawn in this manga. In short, it’s not really worth reading unless you’re already a fan of the novel/anime and can fill in the blanks, but even then it’s more likely to frustrate than please. It is unfortunate that despite the huge success the anime achieved in Japan it barely got any exposure in the west, especially in the U.S. and Canada, given how loved the original novel is over there. I find it ironic that the show got dubbed into a number of languages (Portuguese, French, German and even Spanish) except English. I’m sure it would have been a hit like it was in Portugal and other countries. I don’t know how things are today, but the anime was certainly adored in Europe back then. The love that Japanese people have towards the show and the book, however, is almost indescribable. I’ve read that up to this day tourists from the other side of the world visit Prince Edward Island, and have even have built a theme park featuring locations of the island in Japan. Said park isn’t active anymore, unfortunately. A real big shame. Another interesting fact is that long before the anime was produced, the original novel was a mandatory read for Japanese students. It is more than possible that Takahata himself was one of these students, which would explain the sheer dedication he put behind Akage no Anne.
I haven’t seen all of Tahakata films and I’m still half-way through Marco (excellent series, thus far), but I highly doubt it his other works will ever top Akage no Anne. It seems to be a consensus among Takahata fans that his work on the anime is the most exemplary in his career. A shame that most people out there only know about him due to his work on Grave of Fireflies. It is a very good movie, but in my opinion Only Yesterday and Akage no Anne are the best representatives of his career.
Akage no Anne, honestly, is just as perfect in engrossing the viewer into its very fleshed-out setting through the interaction between the character and their surroundings. The atmosphere feels down-to-earth, realistic and extremely natural. I would be lying if I said I didn’t fall in love with Prince Edward Island and its brooks, lakes, forests and landscapes. Being tired of most modern anime that always make of use of the old, boring places, what attracted me to Akage no Anne was exactly its charming and unique setting. An anime set in the 19th century, in Canada, a place and time I’ve never been to? How could I not be fascinated by it? This feeling was one of the main reasons I’ve set my heart on the WMT series. Throughout my experience, the immersion proved to be on a much bigger scale than I originally expected. Nippon Animation’s superb representation of the novel’s nature and environment descriptions allowed me to completely immerse myself into the show’s atmosphere. Despite the low production values, the artists involved in the art and animation direction blew me away with their painterly scenarios. Indeed one of the most gorgeous anime of the 70s, and it really makes me want to visit P.E.I. someday in my life.
In the same way Marilla and Matthew grew attached to Anne and her rich, multifaceted personality I also fell in love with her character. I believe that Anne herself reflects an aspect so characteristic of us, humans; people are heavily flawed, they can be stubborn, primitive and sometimes terribly mean to each other, but they all strive for the same thing; for their happiness and the happiness of others. This is why Anne is such a relatable character. She is imperfect like us and her personality is painted in shades of grey, and despite her so many shortcomings, she still is a person, and a good and very believable one at that. And indeed, through a gradual process Anne grows up; she evolves, she learns from her mistakes and matures into a strong woman. She undergoes one of the most believable character development’s I’ve seen in an anime, and it is all thanks to Takahata’s objectivism and complete understanding of the characters, their traits, personalities and subtleties. He and the staff involved in the production clearly are familiar with the source material and the characters involved, and made an exemplary job in making a faithful depiction of their characterization. Rather than giving the characters archetypes and superficial personalities (which the viewer is expected relate to), Takahata does a much more objective approach and captures the neutral narrative of the novel. He knows that fleshed-out, human and complex characters are much more relatable than an one-dimensional shell, which is why he tried so hard to make them true to their original personalities, thus providing a much stronger character-viewer attachment. Witnessing the relationship between Anne, Matthew and Marilla and seeing them grow together as a family, and then dealing with the tribulations of life was one of most emotionally engaging and compelling experiences I have ever had watching anime. The character interactions between Anne x Diana, Anne x Gilbert, Anne x P.E.I. (Green Gables, the nature and her romanticized speeches) and the overall slow pace-ness and melancholic sentiment towards the final episodes add up so much to the final result. It would take me whole paragraphs to describe how much I enjoyed all of these little aspects.
I have read only up to the 15th chapter of Anne of Green Gables, but based on what I’ve read so far and on some comments which regard the faithfulness of the anime to the novel, there are more than enough reasons to believe Nippon Animation’s work on Akage no Anne was exemplary. All of the 38 chapters were adapted into the anime, and apparently little was left out. There are some minor dialogues which weren’t included, but for the most part the anime seems to faithfully follow the guidelines of the novel. Some moments were more fleshed-out in the anime (there was a whole episode dedicated to Diana and Anne playing in Idlewild, while the book only gave small details of the happening) in the same way some character interactions get more screen time. It is true, in any case, that Takahata and his staff stayed true to the source material, and provided us with one of the best adaptations of the book ever, being even considered the definitive version by some fans of the series.