TopazRaven (post: 1487412) wrote:My neighbor gave me all four books awhile ago. So far I have onlye rad Twilight and New Moon.
: / so you don't know what happens in the last book (and therefore the last 2 movies)? This should be... interesting.
TopazRaven (post: 1487412) wrote:My neighbor gave me all four books awhile ago. So far I have onlye rad Twilight and New Moon.
Nate (post: 1487411) wrote:And yet, if the President tried to give a speech and went off on tangents and stammered and stuttered, he'd be considered a fool and a poor public speaker. If a student in debate class did the same thing, he'd get a failing grade. There are standards for what qualifies as good presentation...while of course there are presentations that will break those standards to make a point, you can't sit here and seriously argue Tolkien was trying to do something radically different with storytelling or deconstruct what makes a good novel. That's just ludicrous. He wrote poorly, plain and simple. He wasn't trying to change people's perceptions of how a story should be told or anything like that. If he had tried to do that, then he would be commendable. The reason I can tell he wasn't trying to change people's perceptions on what a novel should be is that Fish just now said Tolkien's writing gets better in Two Towers. If he was doing it purposely, it would have been consistent.
mechana2015 (post: 1487429) wrote:: / so you don't know what happens in the last book (and therefore the last 2 movies)? This should be... interesting.
Radical Dreamer (post: 1487432) wrote:Why are you comparing high fantasy to a presidential speech? XD Yeah, a digression to describe the terrain of America would be totally out of place in a presidential speech because it has no purpose there. Tolkien isn't the President. He's a fantasy author trying to introduce the reader to an entirely different world. It's not at all out of place, and just because he has lots of descriptive prose and extra poetry in his work doesn't make him a bad writer. I honestly can't understand the Tolkien hate in this thread. XD I understand people not preferring a style that includes a lot of descriptors, but just because there happens to be a lot of that in Tolkien's work doesn't make him a bad writer. It just means you don't prefer a style that has a lot of description in it.
And I don't understand the comparisons to Andy Warhol at all. Tolkien wasn't trying to change the face of fantasy writing, he was just trying to tell a good story (and I believe he succeeded). You don't have to redefine what writing is to write a good book. And just because some people don't love the way Tolkien chose to wrote doesn't mean he wasn't a good writer. I just don't even understand. XD
I honestly can't understand the Tolkien hate in this thread.
Radical Dreamer (post: 1487432) wrote:Why are you comparing high fantasy to a presidential speech? XD Yeah, a digression to describe the terrain of America would be totally out of place in a presidential speech because it has no purpose there. Tolkien isn't the President. He's a fantasy author trying to introduce the reader to an entirely different world. It's not at all out of place, and just because he has lots of descriptive prose and extra poetry in his work doesn't make him a bad writer. I honestly can't understand the Tolkien hate in this thread. XD I understand people not preferring a style that includes a lot of descriptors, but just because there happens to be a lot of that in Tolkien's work doesn't make him a bad writer. It just means you don't prefer a style that has a lot of description in it.
And I don't understand the comparisons to Andy Warhol at all. Tolkien wasn't trying to change the face of fantasy writing, he was just trying to tell a good story (and I believe he succeeded). You don't have to redefine what writing is to write a good book. And just because some people don't love the way Tolkien chose to wrote doesn't mean he wasn't a good writer. I just don't even understand. XD
Radical Dreamer wrote:And I don't understand the comparisons to Andy Warhol at all. Tolkien wasn't trying to change the face of fantasy writing, he was just trying to tell a good story (and I believe he succeeded).
And just because some people don't love the way Tolkien chose to wrote doesn't mean he wasn't a good writer.
Radical Dreamer (post: 1487390) wrote:Interestingly enough, the way it happened for me is that I watched Fellowship of the Ring in theaters, fell in love with the story, and then read all three books and The Hobbit before The Two Towers hit theaters. XD I loved both of those movies too (though if I had to choose a least favorite, it'd be The Two Towers), but I definitely think The Two Towers is the one that's least like the book. I know ROTK omits the Scouring and includes Shelob, but when you think about it from a film perspective, Shelob would simply not have fit comfortably in TTT. It would've made Helm's Deep and Osgiliath completely anti-climactic, and it also would've stretched the movie into a four-hour feature. XD The same really goes for the Scouring of the Shire, unfortunately--the ROTK finale was quite long as it is. XD
That being said though, I disagree that the FOTR extended cut is the best. If any, it's definitely ROTK. I have a number of problems with the original ROTK film (like the omission of Saruman's death, period--that's way too important to cut out), but I found that many of those problems were fixed in the extended cut. [spoiler]Sure, a hobbit archer didn't kill Grima Wormtongue, but at least it was an archer! XD[/spoiler] And I've seen the extended cut of ROTK so many times now that I actually forget which parts were original and which were added. XD Even so, I think ROTK is definitely the best of the films, and certainly deserving of all 11 Academy Awards it received. XD All that said though, yes, the books are still better. XD
Scarecrow (post: 1487517) wrote:Anyway, I liked Tolkien's style of writing. It's very old fashioned and long winded at times but I thought that was part of the charm. His style reminds me of like an old man sitting next to the fire telling a story. Expanding on stuff he doesn't need to but trying to paint a better picture for everyone gathered round and kind of relishes in the moment. Do we need to know the texture, taste, smell, warmth, feel etc etc of the apple pie? No... but he'll spend a whole two paragraphs describing it anyway and I don't know, I like that old fashioned story telling. No one here has probably seen Jim Henson's The Storyteller but that's how I always pictured Tolkien telling his tales. Lol And I like it. xD
ShiroiHikari (post: 1487364) wrote:Also-- and I know I'm going to get shot for this --Pride and Prejudice. I really enjoy the most recent film adaptation with Keira Knightley and Matthew MacFadyen. It's a great movie and a great story. But I have never even been able to get past the first 20 pages of the book. I find the writing style dry and difficult to read. .
GeneD (post: 1487371) wrote:I thought the Count of Monte Cristo movie was more enjoyable than the book, although I haven't seen/read them in a long time. The movie is happier.
Cognitive Gear (post: 1487566) wrote:Anything made by this man that was based on a book.
KhakiBlueSocks wrote:"I'm going to make you a prayer request you can't refuse..." Cue the violins.
Cognitive Gear wrote:Anything made by this man that was based on a book.
ShiroiHikari (post: 1487602) wrote:I haven't read A Clockwork Orange so I can't say if the movie is better or not. I have read The Shining, though, and I'm not sure if the film is really better or just...different. I find new things to appreciate about it every time I see it, though, and it's been a pretty long time since I read the book.
I agree with you that it is trying to tell a story, and that it does so pretty poorly. I just don't think telling a story is the book's only or primary goal, and picking storytelling as the only criterion by which to judge books, even those which don't primarily set out to tell their stories well, is a bad idea, and ultimately means we have to jettison a lot of the canon. Hence the examples I gave of other works, all but one of which try to tell a story or some connected stories but are really more concerned with other goals.Nate (post: 1487411) wrote:LOTR is absolutely trying to tell a story. [...] If LOTR was a book that was not trying to tell a story, and then a movie came out that tried to make it tell a story, then your point would be valid. However, your point is not valid because again, LOTR was provably trying to tell a story, but it did so poorly.
Digressions can be a good thing in some genres, and stammering (which is only your own metaphor) can be a good thing in at least one: comedy. But it was probably my mistake to try to run with that image.Nate (post: 1487411) wrote:And yet, if the President tried to give a speech and went off on tangents and stammered and stuttered, he'd be considered a fool and a poor public speaker. If a student in debate class did the same thing, he'd get a failing grade.
The novel is a specific genre which, as far as the West is concerned, took off in the eighteenth century. The genre's popularity means we conflate long fictional prose books with novels, I've seen plenty of reviewers call The Lord of the Rings a novel, and I'm sure it has some novelistic features, but I'm not sure it really wants to be a novel (or trilogy of novels). I'd say it's more often imitating things like Malory or the Bruts, which I mentioned. It describes itself -- the book the hobbits write describing what happened, which The Lord of the Rings pretends to be -- as a something like a premodern history or chronicle-story, not as a novel.Nate (post: 1487411) wrote:good novel
I'm sorry. I meant the phrase to be a shorthand for the reaction of people who don't enjoy Tolkien's proliferation of details and digressions (about landscapes, about birthday parties, about languages, about customs, about characters or about bits of history which have little or nothing to do with any present matters, and so on).Nate (post: 1487411) wrote:This is the second time you've used that phrase, and I'm not sure why. It proves nothing and is merely a diversion away from the actual topic: namely, that Tolkien overuses purple prose and has no clue what pacing and good storytelling are. You seem to be making the assumption that anyone who thinks LOTR is boring hates elves or something.
This is absolutely not what I am arguing. I'm not sure there's any point to even asking 'Which is better, books or movies?' I refer you back to the opening paragraph of this post: I just think it's okay for a book to have as its main goal something other than 'tell my story well'. I'm sure you don't believe we must judge all books which contain stories on storytelling, even if they were written to give pleasure in some other way, or even written more to instruct than to give pleasure (plenty of stories are explicitly didactic, after all) -- but that seems to me to be the implication of your argument.Nate (post: 1487456) wrote:"Books are automatically better than movies because they don't have to tell a story!"
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